Wednesday, September 02, 2009

Chatting with the 'Idols'

Check out our exclusive interviews with the 'American Idol' finalists

By Dwayne Steward
Metromix Columbus
Associate Producer
August 25, 2009

The ratings juggernaut that is "American Idol" gave Columbus fans of the show their annual live fix on Aug. 25, as the "Idols Live Tour" stopped by Value City Arena.

The tour sends "Idol" champ Kris Allen and the other nine finalists on a dizzying trip though 53 arenas across the country.

We got a chance to talk with six of the top 10 finalists before they took the stage for the night.

Click through the gallery to see what they had to say about touring, their futures, and Paula's sudden departure from the show.

Kris Allen

Age: 23

Hometown: Conway, Ark.

Which "Idol" is he?: The soft-spoken 2009 "Idol" champion unexpectedly beat out Adam Lambert for the title. He became known as the darkhorse contender with his John Mayer-esque vibe and vocals. Many fans say it was his brilliant remake of Kanye West's "Heartbreaker" that sealed his victory.

Thoughts on the tour: "It's kind of bittersweet because it's almost over, but all of us finally get to start on our careers. ... Some of my favorite things are hanging out with the 'Idols' and crew and stuff. And I do love seeing the fans. 'American Idol' fans are the best. Worst thing is being away from family and friends. It's been really busy. We get a break every once in a while—we had one yesterday and we went to an Ohio State scrimmage game. It was pretty cool."

Thoughts about the show: "I miss the people that work on the show. We actually got to meet up with them in Atlanta, which was fun. But what I don't miss—I don't like the cameras. That's why I like the live show. I feel like without the cameras we can be ourselves and not worry about them. ... I got used to it, but still, it's not my thing to be on camera."

On his debut album: "I was flying back and forth to L.A. a lot at first [to work on the album], when we were doing shows near California. We started working on the album two weeks after the show ended. I'm just trying to get used to the co-writing thing. We're hoping for it to come out sometime in November. It's been fun. I got to work with [Joe King from] The Fray and Mat Kearney, they're helping me write some songs. But they've also got me writing a lot. On my 'days off' I'm writing songs."

On Paula's departure: "Personally, I think it's a sad thing. I'm glad I got be a part of the last season that she was on. She's so loving and caring. No matter what we did, she always cared for us. I think the show will miss that. But the show will go on. [It's] the biggest show in the world."

Lil Rounds

Age: 23

Hometown: Memphis, Tenn.

Which "Idol" is she?: Lil Rounds perplexed the world with her stage-name-but-that's-my-real-name "controversy." An early front-runner, the bluesy mother of two became known for not being afraid to state her opinions during the judges' critiques.

Thoughts on the tour: "I really enjoyed going back home and being able to perform on the home stage. Washington was nice because we got a chance to tour Capitol Hill. It was great because I had never been. Before the show had only been to five other states outside of Memphis, so seeing 50 is ... wow!"

On being a mom: "I can't bring my family with me to every state. It's really hard. But they've come to a few shows to see me and we use Skype, so it hasn't been too bad."

Thoughts about the show: "I miss being able to meet new mentors every week—that was really cool. I also miss the band that they had and being able to go to rehearsals. We would have so much fun in rehearsals. But I have to admit that the tour is better [laughs]."

What's next?: "Right after tour I'm going to a few meetings to see about a record deal. ... Right now I'm working on my writing. For the first album there will be a lot of co-writing, You won't see any full songs written by myself just yet, but I'm working on it."

On her sound: "An R&R and soul vibe for me especially. It'll be a little bit like the music now, like Beyoncé and Alicia Keys, but I want to bring back the live band feel of singers like Marvin Gaye and Aretha Franklin—that kind of warm sound. I also like jazz, so it won't be your regular all R&B album; there'll be a little bit of something for everybody."

On Paula's departure: "Paula will definitely be missed. Even when everybody else kind of gave you a whipping, she was the one that kind of said, 'Dry your tears, you're going to make it.' But it's still one of those shows that makes people's dreams come true, so I think it's going to go on, but I'm definitely going to miss seeing her smiling face on the panel."

Matt Giraud

Age: 23

Hometown: Kalamazoo, Mo.

Which "Idol" is he?: A dueling pianist by trade, Giraud snuck into the top 13 during the re-instated Wild Card round. He was most famous for his hats and his sexy crooning behind the piano. He also was spared with the hotly debated "judges' save" before his fifth-place elimination.

Insight about the concert: "We do a Billy Joel song and 'Don't Stop Believing' by Journey. We go head to head and it's pretty fun—it puts a little twist on the show. They actually rebuilt two pianos and put them together on one rig. It's pretty cool."

Thoughts on the tour: "It's great playing in these huge venues that you just always just thought you'd drive past. Before, for four hours I would do the dueling piano thing, I'd be this human jukebox. But now it's cool to be considered an artist and have people just sit and listen to you and not scream out "Journey" [laughs]."

Thoughts about the show: "There's not really much I miss from the show [laughs]. I liked getting a good comment from the judges every so often, but I'm just happy to have people making their own minds up about me now—and not having to worry about votes."

On Paula's departure: "I don't have much of an opinion. I love her to death and we keep in contact. She would say that she used to come back for the contestants and to help them out, so I think she'll miss that. But the show knows what they're doing, and no matter what Paula does, I'll be happy for her."

On his future: "I'm actually going straight for the Christian rap genre [laughs]. No, I'm just kidding. I'm going to be hosting an online show called 'Make the Cut.' It's an online singing competition on the Web site YOBI.tv. I'm just booking shows, and I was asked to work with some really great fundraisers. All the record deal stuff is in talks, but either way I'll be putting music out there. I'm excited to get out there and perform again. And just get out there and play music, for more than, like, 10 minutes [laughs]."

Megan Joy

Age: 22

Hometown: Sandy, Utah

Which "Idol" is she?: Deemed the wild "Idol" in some circles, Joy was the saucy single mother with vocals like Janis Joplin and a punk-rocker attitude like Pink. She became known for "cawing" during her famous "Rockin' Robin" rendition and later upsetting Simon for telling him she didn't care what he thought right before her elimination.

Thoughts on the tour: "My favorite part about the tour is knowing that when I get home I can move out of my mother's house and take care of my son myself. A close second is being up there for seven minutes and being able to do what I love to do."

On missing her son: "I hate being away from my baby, but we do have opportunities to bring our husbands and girlfriends to the show. No Skype for me though. It's kind of hard for my situation."

Thoughts about the show: "Glad to have that behind me. It was rough. [I do] miss the uncertainty of not knowing how far you were going to go. It was exciting climbing that ladder, but I'm climbing a much bigger ladder now."

On the debut album: "I don't have a deal musically, but modeling and TV are in the mix for me, which I'm supper stoked about. I've started a band back home with a super-genius, and I'll make music forever. It's going be a hip-hop/jazz fusion."

The story behind her tattoos: "My sleeve [on the right arm] is a castle, and then in the window is my fairy tale. There's me and Prince Charming, who isn't colored because I don't know what he looks like yet. And then my mom, brother and son are on the other side. I have my feet, my hands, my back and my hip done too. I have a little bit on my ribs, but I'm going to [add more and] do an 'American Idol' thing on one—not the logo, but a lucky charm I had throughout the whole thing, and then a treehouse on the other side."

Scott MacIntyre

Age: 23

Hometown: Scottsdale, Ariz.

Which "Idol" is he?: A seasoned pianist, drawing on the Billy Joel appeal, MacIntyre was first known as the visually impaired contestant (though he's not completely blind, he has severe tunnel vision caused by Leber's congenital amaurosis) but soon stood out for his musical abilities. Paula and Simon famously got into an argument over whether he should ditch the piano.

Thoughts on the tour: "I'm having the time of my life. There's about a thousand people outside after the show waiting for you. I love that part the best. It ends the night on a high note, and it's where you get the true reaction from the fans. I also enjoy the late-night talks with the 10 of us. You really get to know each other. I think we need a one-week reunion after the tour and then a one-month reunion after that, and then a one-year reunion [laughs]."

What's next?: "I'm in discussions right now with several major music publishers as far as representing me in writing for other bands and other artists. I've also been approached to write a book by random publishers, so I'm running in a lot of different directions [laughs]."

On his debut album: "My album's actually about midway through production. It's being independently published and should be out before Christmas. Once you're on 'Idol' you can't really say, 'I don't want to be a performer.' Our contract with 'Idol' ended Aug. 20, so we're free to start signing with other labels. I'm in talks with labels so it may still go that way, too."

What the album sounds like: "The album is going to be all original music along the lines of John Mayer, Gavin DeGraw, Vanessa Carlton, and a little bit of One Republic. It's very much that singer-songwriter meets pop rock genre, and very piano driven. You can check out some of the tracks on my Myspace page."

Danny Gokey

Age: 28

Hometown: Milwaukee, Wis.

Which "Idol" is he?: First became known because of his back story involving his deceased wife, but later made a name for himself with his raw gospel growl, evangelical past and clean-cut good looks.

Thoughts on the tour: "I like the music aspect and meeting the fans and even the money aspect, just getting paid to sing. Downsides are no sleep and getting used to the schedule. And also not having much freedom. But these are good problems to have [laughs]."

Hindsight about the show: "I kind of miss being on TV. It was fun being on TV. I kind of miss being a TV personality for a while. However, the pressure is the number one thing I don't miss. Mostly because I don't think I handled it very well. People say I was calm and reserved, but I was a mess behind the scenes [laughs]. I definitely don't think I gave my A-game when I was on the show."

On his debut album and new foundation: "I'm starting my project next month. I'm also working on my foundation, Sophia's Heart Foundation (named after his wife). We actually had a good day today. We have a food and shelter program, scholarship program and medical program. Two of the winners from the scholarship program are from Ohio, so we brought them out to the show and set them up with a gas card, a hotel room and we just had lunch with them. It was really nice."

Actors' Theatre hosts outdoor theater

C-bus natives enjoy Shakespeare in the park

By Dwayne Steward
Metromix Columbus
Associate Producer
July 16, 2009


Review: "The Quintessential Roulette"

MadLab kicks off new project with emotional bang

By Dwayne Steward
Metromix Columbus
Associate Producer
August 6, 2009

When MadLab says quintessential, they mean it.

The quirky and experimental theater troupe, who has come to define alternative theater locally, kicked off "The Quintessential Roulette" Thursday with a phenomenal showcase of three plays, in a lineup of 11 shorts being featured through Aug. 29.

"Quintessential" is a special tribute rerun of plays from the last 10 years of their popular annual shorts festival, "Theatre Roulette." (Check out our preview article on "The Quintessential Roulette" to get the full scoop on how this tribute show came about and to catch up on your history of MadLab and its "Theatre Roulette.")

Running like its regular "Roulette" shows, each week will feature three completely different nights of entertainment. We had the privilege of catching Night A, titled "Sticky Fingers." Here's our take on the three short plays featured.

The first, and decidedly best, script of the night was F.J. Hartland's "Postcards from a Dead Dog" (2008), the story of a mother and son's dysfunctional, yet devoted relationship. Melissa Blair's (who's reprising her role) commanding turn as the deteriorating, sharp-mouthed mother, who's dying of cancer, is the soul of this production, while Hartland's witty turns of phrase during a dramatic, slow-paced storyline are constant breaths of fresh air.

Justin Toomey, as the son, got off to a clunky start but definitely came into a nice stride, especially when the story took a sharp emotional turn. And the play thrives under Nikki Smith's stealth direction; her varied staging decisions strengthened the play's two-person dynamic.

"Smugglers Three" (2005) by David Lavine followed, with each of its three actors (all reprising their roles from 2005) giving a gut-busting performance as a motley crew of pill-thieving kidnappers.

Brian Spangler-Campbell shined as the moronic Pablo, a Latin bi-sexual addicted to the prescription pills the trio is trying to smuggle. Robert Stretch and Sarah Brunet showed amazing chemistry as Cliff and Kiki a quirky and dysfunctional Bonnie/Clyde duo.

Michael Erickson's "Alien Hand Syndrome," a pick from the most recent "Theatre Roulette," closed out the evening. Andy Batt stole the show, and maybe the night, as Mark, a man battling a right hand that's leading a life of its own. Batt brilliantly takes on a Jerry Lewis in "Nutty Professor" vibe, which includes an all out brawl between himself and his hand. The physical comedy in and of itself is worth acclaim.

Stephen Woosley also deserves a shout-out as Mark's pencil-necked boss, Mr. Smalls, and Dr. Carmody, Mark's slightly unhinged physician. Erin Prosser rounds out the cast as a coworker who falls for Mark's hand, who has named itself "Hank."

Add Erickson's witty parody of old school, low-production horror films and Jim Azelvandre's fast-paced direction and you've got a play, that's worth the night's headlining spot.

MadLab's "The Quintessential Roulette" continues Friday with three shows for Night B ("Empty Heads") and Saturday with four shows for Night C ("Bleeding Hearts").

"The Quintessential Roulette" runs 8 p.m. Thursdays through Saturdays until Aug. 29 (the last night showcases all of the plays starting at 2 p.m.). Tickets are $12 for adults, $8 for students and senior citizens, and $6 for members. For each night's list of plays and more information visit the MadLab Theatre Web site.

'Quintessential' theater

MadLab's dynamic history on display during tribute show

By Dwayne Steward
Metromix Columbus
Associate Producer
August 2, 2009

According to the Merriam-Webster Dictionary, the adjective 'quintessential' originates from the noun 'quintessence,' meaning "the essence of a thing in its purest and most concentrated form" and "the most typical example or representative." Those phrases fit both MadLab Theatre and its 10th anniversary celebration of the popular shorts festival "Theatre Roulette."

"The Quintessential Roulette" (running Aug. 6-29 at MadLab's Grant Street theater downtown) will feature 11 plays from the past 10 years of "Theatre Roulettes," with 21 of 35 actors reprising their original roles and five of the plays being helmed by the original directors.

Earlier this year, MadLab asked its patrons to go online and vote for their favorite show from the first nine "Roulettes." Then, during "Theatre Roulette" 2009 back in May, they asked the audience to vote for their favorite each night. And finally, one show was chosen by the MadLab ensemble and board, which gave them 11 shows representing the best of the past 10 years.

In the beginning
The journey to "The Quintessential Roulette" is a long and trying one, representing the story of a quirky group of theater geeks who just wanted to put on plays that were their own. That dream, from the REM cycle of founder Eric Myers nearly 15 years ago, is now a bonefide institutional franchise.

"That's kind of how I came up with the name MadLab," Myers said, calling from his home in San Francisco. "It was all a huge experiment."

The company began in 1995 with Myers and his pal Dan O'Reilly (who's since left MadLab due to artistic differences) with their first performances taking place in the tiny basement of a hair salon in the Short North.

"We were an underground operation, literally," Myers said laughing. "We become sort of a nomadic company and would bounce from space to space."

A modern reconstructing of Euripides ancient masterpiece "The Bacchae" called "BAkkEE" (1997) brought rave reviews and their first string of sold-out shows. It was at this point that MadLab began to crack the local mainstream, setting itself up as the definitive alternative to traditional theater.

In 1999, they procured an oil-stricken commercial garage downtown and spent four months renovating it into the full-service production space that it is today.

After six years of running the company, Myers said he had become burnt-out, deciding a change of pace was needed and thus making the move to California. However, he couldn't bring himself to cut the strings completely, as he still serves on MadLab's Advisory Board, watching over his artistic baby from afar. He's even thinking about starting a MadLab West in San Francisco.

His departure wasn't easy to overcome, according to Andy Batt, MadLab's managing director.

"[Myers] was so much the life and soul of this company when it started, it was a tremendous blow to the theater when he moved away," he said. "We have people with vision in our company, but [Myers] was visionary. I don't think any of us who are left embody that on our own."

"Theatre Roulette" is born
With a new building, an established fan base and some local legitimacy, the group decided to take yet another risk in 2000: starting the largest and most successful original shorts festival in the region.

"It was my wildly ambitious vision to offer three different nights of programming each week for a month," Myers said. "Trying to pull it off was definitely a bit of a gamble."

Attendance was sparse during the festival's first few years, but the public soon caught on, and "Theatre Roulette" became the company's largest annual hit.

"‘Roulette' has always been our signature show," said Batt, who is the only person to have acted in every "Theatre Roulette" since its inception. "It's developed its own identity."

Batt will be directing Myers' script, "The Secret Life of Mimes" (2000), which was the first play he ever saw at MadLab.

"It blew me away. I remember thinking to myself, 'This is what theater should be,'" said Batt, who's also acting in "The Rebuttal" (2006) and "Alien Hand Syndrome" (2009). "Being able to work with [Myers] was an experience you really can't replace."

Becoming quintessential
From the beginning, MadLab and their "Theatre Roulette" have supported and cultivated locally created original work.

"A local theatre scene without original work is like a local music scene with only cover bands," Myers said.

The compnay has grown from scrounging for script submissions during the festival's early years to now receiving nearly 1,000 submissions from playwrights all over the world.

"I remember giving them a play of mine just to kind of look over, and [Myers] was like, ‘Let's throw in the Roulette,'" said Chris Lane, MadLab's artistic director. "That's just kind of how things were in the beginning."

Today, MadLab and "Theatre Roulette" are legitimate parts of the city's cultural landscape. And as we continue hearing about the many artistic instutions loosing funding because of the recession, they may be the only one in the city that's actually growing financially.

"This year's ‘Theatre Roulette' was our largest grossing show ever, where the box office is concerned, and all of our shows this year have outdrawn our shows from last year," Batt said. "We're actually very surprised, considering the state of the economy."

MadLab started on the premise of redefining the modern theatre experience by presenting controversial, locally created works geared toward a younger audience. Now the troupe is considered by most theater-lovers to be an irreplaceable part of Columbus' theater scene, making the company not only one of the city's top artistic institutions, but a quintessential example of the art form it represents.

MadLab Theatre's "The Quintessential Roulette" begins at 8 p.m. every Thursday through Saturday from Aug. 6-29. Tickets are $12 for adults, $8 for students and senior citizens, and $6 for members. For more information visit the MadLab Theatre Web site.

Shakespeare takes over Schiller Park

Enjoy some of the Bard's classics for free

By Dwayne Steward
Metromix Columbus
Associate Producer
July 13, 2009

The Actors' Theatre Company doesn't mind doing it in the rain. And by it, we mean "acting."

The Columbus institution has been putting on outdoor productions of classic plays for nearly 30 years, and has often braved the elements.

"During opening night we had some small rain showers," said Pam Hill, director of the company's current production of Shakespeare's "The Tempest," which runs every Thursday through Sunday at Schiller Park until Aug 2. "The story begins with a huge violent storm outside in the ocean, so sometimes the weather cooperates with you."

However, don't count on always having to sit through a downpour, as the theater troupe's Web site states that shows will be cancelled if it's raining too hard.

"One of the downturns of outdoor theatre is that you are subject to the weather, and as we all know, Ohio weather can be somewhat fickle," said John S. Kuhn, the company's artistic director and an eight-year Actors' Theatre veteran.

The company suggests that patrons not only bring blankets and lawn chairs to sit on, but some extra clothing in case a chill sets in.

Shakespeare's timeless tale of "The Tempest," which is the current production, follows the journey of Prospero, a Duke of Milan, after he's banished by his own brother from the city. He lands on a mysterious island full of magic and mythical creatures. Endowed with the island's powers, he causes a storm to shipwreck his brother's ship on the island as it's passing by.

"This is my favorite Shakespeare play because it's not just a comedy or a tragedy or a romance—it combines all three," said Hill, a guest director who's worked with the Cincinnati Playhouse, Dayton's Human Race, Columbus' Contemporary American Theatre Company and directed in 10 other states throughout her career. "It's very magical, and that's how I try to direct it."

"Prospero introduces the king's son to his daughter, there's the romance. There's a jester and a drunken butler, there's the comedy. And the brother betrays him, that part is the tragedy," she said. "The essence of the play is, ‘What does he do with these people that betrayed him?'"

For the company's third staging of "The Tempest," Hill wanted to make things as authentic as possible.

"We didn't change anything—it's the story that Shakespeare wrote, but we found the original music," Hill said. "Paul Shammel (from local band Reganomics) was able to take this music and put it to the harpsichord and a pipe and other instruments from back then. So the music that people hear is what people heard when it was staged during Shakespeare's time."

There are also a host of special effects being added to the production that Hill said shouldn't be missed.

"They say it's something they've never seen before in the park," she said. "It's kind of ... magical."

The company typically produces three plays throughout the summer. "The Three Musketeers" ran in June, and the troupe is currently in rehearsals for Shakespeare's "As You Like It" (running Aug. 6 through Sept. 6.), which they're planning to shake up a little bit.

"We're going to be staging it in the style similar to 'Avenue Q,' where life-size puppets will interact with the actors," Kuhn said. "I thought it would be a fun approach, seeing that it's a comedy."

Kuhn will be teaming up with Beth Kattelman, a local puppet connoisseur, to direct the one-of-a-kind production.

"I don't think anyone has ever done it this way," Kuhn said. "And we're always trying to find ways to make Shakespeare more accessible to a younger audience."

So, why should you take a chance on Shakespeare in the park?

"It's the only place where people can see classical theatre for free," Kuhn said. "As a community resource, there's nothing else like this in the central Ohio region."

"The Tempest" runs at Schiller Park Thursday through Sunday until Aug 2. Admission is free, but donations are encouraged. For more information, visit the Actors' Theatre Company Web site.